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Micah's Songbook

​Duration: TBD (forthcoming)

 


Instrumentation:
Voice, Single-Line Instrument*, and Piano

* - different parts are available including C treble, B-flat treble, E-flat treble, F treble, A treble, C bass, & C alto


 
Program Notes:

 

I. Jabberwocky

 

’Twas brillig, and the slithy toves
  Did gyre and gimble in the wabe;
All mimsy were the borogoves,
  And the mome raths outgrabe.

 

“Beware the Jabberwock, my son
  The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
  The frumious Bandersnatch!”

 

He took his vorpal sword in hand;
  Long time the manxome foe he sought—
So rested he by the Tumtum tree,
  And stood awhile in thought.

 

And, as in uffish thought he stood,
  The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
  And burbled as it came!

 

One, two! One, two! And through and through
  The vorpal blade went snicker-snack!
He left it dead, and with its head
  He went galumphing back.

 

“And hast thou slain the Jabberwock?
  Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
  He chortled in his joy.

 

’Twas brillig, and the slithy toves
  Did gyre and gimble in the wabe;
All mimsy were the borogoves,
  And the mome raths outgrabe.

                     — Lewis Carroll (1832-1898)

 

 

II. Autumn

 

The morns are meeker than they were,

The nuts are getting brown;

The berry’s cheek is plumper,

The rose is out of town.

 

The maple wears a gayer scarf,

The field a scarlet gown.

Lest I should be old-fashioned,

I’ll put a trinket on.

                     — Emily Dickinson (1830-1886)

III. Stopping by Woods on a Snowy Evening

 

Whose woods these are I think I know.   

His house is in the village though;   

He will not see me stopping here   

To watch his woods fill up with snow.   

 

My little horse must think it queer   

To stop without a farmhouse near   

Between the woods and frozen lake   

The darkest evening of the year.   

 

He gives his harness bells a shake   

To ask if there is some mistake.   

The only other sound’s the sweep   

Of easy wind and downy flake.   

 

The woods are lovely, dark and deep,   

But I have promises to keep,   

And miles to go before I sleep,   

And miles to go before I sleep.

 

                     Robert Frost (1874-1963)

IV. The Snowflake Tree

 

The hawthorn is dead, the rose-leaves have fled

On the north wind over the sea:

Now the petals will fall that are rarest of all,

Sweetheart, from the Snowflake Tree.

 

The Tree, it doth stand in that marvellous land

Whose shore like a sapphire gleams,

Where a crown hangs high in the northern sky,

Forth raying its golden beams.

 

It tosses its boughs with their crystalling blows;

They crackle and tinkle for glee

When the north wind shrieks round the awful peaks

On the shores of the polar sea.

 

And never a bird its blossoms has stirred,

Or built on its branches a nest;

For the perfume which floats from the blossoms’ throats

Would freeze the song in its breast.

 

And my own little bird, were her goldilocks stirred

By the wind thro’ its branches which blows,

With her songs silenced all, forever would fall

Asleep on the silver snows.

                     — Mary E. Wilkins Freeman (1852-1930)

 

Performances:

TBD







​


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V. Eletelephony

 

Once there was an elephant,
Who tried to use the telephant—
No! No! I mean an elephone
Who tried to use the telephone—
(Dear me! I am not certain quite
That even now I’ve got it right.)
Howe’er it was, he got his trunk
Entangled in the telephunk;
The more he tried to get it free,
The louder buzzed the telephee—
(I fear I’d better drop the song
Of elephop and telephong!)

 

                    — Laura Elizabeth Richards (1850-1943)

 

 

VI. Afternoon on a Hill

 

I will be the gladdest thing
   Under the sun!
I will touch a hundred flowers
   And not pick one.

 

I will look at cliffs and clouds
   With quiet eyes,
Watch the wind bow down the grass,
   And the grass rise.

 

And when lights begin to show
   Up from the town,
I will mark which must be mine,
   And then start down!

 

                     — Edna St. Vincent Millay (1892-1950)

VII. Bashful Earthquake

 

The Earthquake rumbled

And mumbled

And grumbled;

And then he bumped,

And everything tumbled–

Bumpyty-thump!

Thumpyty-bump!–

Houses and palaces all in a lump!

 

“Oh, what a crash!

Oh, what a smash!

How could I ever be so rash?”

The Earthquake cried.

“What under the sun

Have I gone and done?

I never before was so mortified!”

Then away he fled,

And groaned as he sped:

“This comes of not looking before I tread.”

 

                     — Oliver Herford (1860-1935)

VIII. Foreign Lands

 

Up into the cherry tree
Who should climb but little me?
I held the trunk with both my hands
And looked abroad in foreign lands.

I saw the next door garden lie,
Adorned with flowers, before my eye,
And many pleasant places more
That I had never seen before.

I saw the dimpling river pass
And be the sky's blue looking-glass;
The dusty roads go up and down
With people tramping in to town.

If I could find a higher tree
Farther and farther I should see,
To where the grown-up river slips
Into the sea among the ships,

To where the road on either hand
Lead onward into fairy land,
Where all the children dine at five,
And all the playthings come alive.

                     — Robert Louis Stevenson (1850-1894)

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